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Common Ground

Common Ground

Justice in Motion were commissioned by Schwarzman Centre for the Humanities in Oxford to present a brand new piece of work as part of Open House – a day long festival celebrating the launch of the Centre for the Humanities Cultural Programme.

Common Ground was inspired by feedback from a diverse range of people and explored what kindness meant to them. Featuring our impressive athletic performers using trials bikes, parkour and physical theatre we created a riveting outdoor display, that was presented multiple times throughout the day.

We’re hoping to develop Common Ground into a full-length touring show, so stay tuned to our channels for details.

 

 

 

RESISdANCE is a Justice in Motion project that highlights the plight of refugees, their journey & their stories, and yet celebrates their resilience, their strength, their beauty and vulnerability.

“We cannot fight in this war in the usual way, as our Ukrainian men do. (…) Therefore, I am proud to be a part of this project… it’s my battlefield.”

In February 2023 a group of Ukrainian refugee women came together with local dancers from Oxfordshire, to stand or rather dance together in solidarity against the war. We created a dance piece that could be performed as a Flashmob, based on the emotional journeys of the refugee women. An original soundtrack was composed for the piece, inspired by traditional Ukrainian music.

On the 24th February to mark one year since the invasion of Ukraine we performed the Flashmob at Oxford Train Station. Train stations have become a lifeline for many people caught in the conflict. They offer a means of escape from the violence and a way to access aid and supplies. It felt fitting to perform this piece in our local station. The Flashmob was highly moving for those involved and those that found themselves as audience members.

We then performed the Flashmob a second time as part of a special International Women’s Day event at Oxford Town Hall, and created a filmed version at OVADA Gallery.

In July 2023 as part of Oxford Festival of the Arts, we staged a Portrait & Audio Exhibition at OVADA, that highlighted 11 of the women, their stories of resilience, and journeys into the unknown. Their portraits were taken by Ukrainian photographer Vadym Gurevych. The Flashmob was once more performed at the Opening, and shared on film throughout the week.

Below you can see videos of the performances, from the original flashmob at Oxford railway station, and the exhibition at OVADA Gallery.

The Portrait & Audio Exhibition is staged again during Refugee Week at the Central Library in Oxford in the Westgate, from 16-21st June 2025, bringing their voices once more to the public, a terrifying 3 years on from the beginning of the war in Ukraine. We still stand, we still dance, we still hope.

Portrait & Audio Exhibition at OVADA Gallery

Click to listen to the words from some of the Ukrainian women who took part in the RESISdANCE project.

“It was really powerful”

It was really powerful to see the emotion and connection between them

Audience Member

“I had a huge sense of satisfaction, healing and pride”

At the end of our performance, I had a huge sense of satisfaction, healing and pride that I had played my small part in this terrible war

Ukrainian Participant

“Touched my soul”

This event touched my soul

Audience Member

“We can show people what we went through”

We can show people what we went through, and how it is hard for all Ukrainian refugees

Ukrainian Participant

Creative Team

Artistic Direction: Anja Meinhardt.
Creative Collaborator: Krystal Dawn Campbell
Ukrainian Collaborator: Maryna Soloviova
Soundtrack: Quentin Lachapele
Film: Ignite Creative / Michael Lynch
Portrait Photography: Vadym Gurevych
Photography: John Cairns

Dates

2023

24 February – Oxford Railway Station

8 March – Oxford Town Hall (International Women’s Day)

6 July – OVADA, Oxford (performance & exhibition)

7-9 July – OVADA, Oxford (exhibition)


2025

16-21st June – Oxford Central Library / Westgate (Refugee Week)

Partners

In partnership with Oxford Festival of the Arts and OVADA. With support from Multaka Oxford at Pitt Rivers.

The phone vibrates…a message…times, numbers, deals…and a warning. All in code. So young and so troubled. At home, in school, on the street. There’s no way out – is there?

CODE, Justice in Motion’s urban odyssey into County Lines and Knife Crime, is a spectacular blend of physical theatre, parkour and trials bike stunts with live rap and music. On an urban playground, skilled athletes and performers show what is happening to our young people exploited by organised drug crime gangs.
This story could be happening right now. See inside the County Lines through up-close, dazzling, adrenaline-fuelled, audacious story-telling inspired by true case studies.

In some locations, following a 3-day residency with the company, local young people will find out about County Lines and the dangers involved. Together with the professional team, learning special movement skills, they will create part of the show and will perform alongside athletes and performers.

Our latest show digs into the growing levels of child exploitation by criminal gangs known as County Lines. It follows on from our previous productions which explored different kinds of modern slavery: BOUND (forced labour, sex trafficking and domestic servitude) and ON EDGE (exploitation of construction workers).

County Lines refers to the mobile phone lines that criminal gangs use to organise, store and sell drugs.

Vulnerable young people are particularly at risk of exploitation. They are often recruited by the gangs using drug debts, grooming or threats.

 

CREATIVE TEAM & CREW

Artistic Director
Anja Meinhardt-Bruckmann

Executive Producer
Darren Walter

Associate Director
Chris Evans

Rehearsal Director
Michael Lynch

Composer
Quentin Lachapele

Set Design
Celia Perkins

Set Creation
Splinter Scencoery

 

Production Manager
Jonah Stein

Stage Manager
Ted Fussell

Costume & Team Supervisor
Hana Eggleston

Youth Company Director
Nikita India

Education Manager
Roy Peach

Driver/Crew Member
Christoph Immanuel Bruckmann

Graphic Designer
Evy Prentice
Antony Bridle

App Developer
Adam Ilko

“Absolutely blown away”

This was incredible, well done guys. Absolutely blown away

James Ottley, Children Heard and Seen

“Brilliant work”

Brilliant work! Really well done

Outdoor Arts UK

“Choreography is rich and tight”

The bikes are thrilling and the choreography is rich and tight with some truly haunting imagery

Michael Sells, Dartington Trust

“clear message”

You guys are super talented! It was such a cleverly done show with a clear message and such cool ways of portraying it. Amazing stunts and acting.

Audience member

“gripping, gritty, compelling”

Code was gripping, gritty, compelling, in your face, technically professional, maturity of the acting and rapping was brilliant. Code is relevant to now and thus a story that needs to be shared with others

Audience member

“The ending was really important”

It was so, so good. My 7 year old just told granny all about the show he saw… The ending was really important for [him].

Audience member

“like nothing I’ve ever seen”

The show has a strong and clear narrative that is expressed through breath taking parkour and trials bike stunts. The show is physical and raw – like nothing I’ve ever seen. (5 stars)

Quaere Living

“Visually arresting scenes”

These are hard-hitting subjects for a popular, public drama and Meinhardt astutely employs visually-arresting scenes to capture the attention of the crowd.

Meinhardt’s productions are known for fusing dance and movement with circus and aerialist skills, and innovatively in 2019’s On Edge, which was also staged in Broad Street, parkour. Parkour is also a feature of Code with hoodie-wearing performers swinging and jumping over the heights of the stage.

Particularly stunning are the stunt cyclists who seem to defy gravity in jumping vertically on to barriers and platforms above them.

Newbury Today

Previous Dates

2026 3 events
2025 27 events
10 October
CODE – Newquay – Outdoor Performance 4.30PM
28 September
CODE – Bournemouth – Outdoor Performance 5PM
28 September
CODE – Bournemouth – Outdoor Performance 2PM
27 September
CODE – Bournemouth – Outdoor Performance 5PM
27 September
CODE – Bournemouth – Outdoor Performance 2PM
24 August
CODE – Rugby – Outdoor Performance 2PM
24 August
CODE – Rugby – Outdoor Performance 11AM
23 August
CODE – Rugby – Outdoor Performance 3PM
23 August
CODE – Rugby – Outdoor Performance 12PM
15 August
CODE – King’s Lynn – Outdoor Performance 4PM
15 August
CODE – King’s Lynn – Outdoor Performance 1PM
9 August
CODE – Worthing – Indoor Performance 4pm
9 August
CODE – Worthing – Indoor Performance 1pm
26 July
CODE – Bradford – Outdoor Performance 4PM
26 July
CODE – Bradford – Outdoor Performance 1PM
25 July
CODE – Bradford – Outdoor Performance 5PM
19 July
CODE – Oxford – Outdoor Performance 4PM
19 July
CODE – Oxford – Outdoor Performance 1PM
18 July
CODE – Oxford – PUBLIC School Performance 4PM
13 July
CODE – Didcot – Outdoor Performance 2PM
13 July
CODE – Didcot – Outdoor Performance 11AM
12 July
CODE – Didcot – Outdoor Performance 4PM
12 July
CODE – Didcot – Outdoor Performance 1PM
5 July
CODE – Sleaford – Outdoor Performance 2pm
5 July
CODE – Sleaford – Outdoor Performance 10:30am
4 July
CODE – Sleaford – School ONLY Performance
4 July
CODE – Sleaford – School ONLY Performance
2024 27 events
2023 12 events

Supporters

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“a deep reflection of the hectic lives we live”

“Very powerful and memorable. I enjoyed the transition from the workout to work clothes, without slowing down the pace. It did leave me with a deep reflection of the hectic lives we live. I would have enjoyed seeing the balance to soften it at the end.”

Audience member at Plasma

“Intense, powerful and disturbing”

“Intense, powerful and disturbing. I felt really exhausted by the end. Throughout the piece I had the constant feeling of information overload, and was unsure where to look. The last section definitely gave the impression that something had gone wrong inside someone. The piece showed how an individual can have many sides or facets to their personality.”

Audience member at Plasma

“I really enjoyed the energy and the pressure build-up”

“I really enjoyed the energy and the pressure build-up that seemed to disrupt the cohesive nature. Would be interesting to see a sense of those individuals who enjoy the run, the work, the pressure and those who do it because they feel the need to or feel coerced.”

Audience member at Plasma

“like office drones pushed towards a burnout”

“To me the best bits were the last few moments of high-energy and synchronised movement. It felt like it represented the rat race, like office drones pushed towards a burnout.”

Audience member at Plasma

Dates

2016

22 January – Pegasus, Oxford (Scratch Night)
26 & 27 February – Pegasus, Oxford (Moving with the Times)
16 July – Old Fire Station Oxford (Women go Live)
1 September – Old Fire Station, Oxford
28 October – The Broadway, Barking
12 November – The Old Museum, Oxford
26 November – St Barts, Reading

2018

September – Twin City Festival, Perm, Russia

2019

October – Evolution Event, Old Fire Station, Oxford

 

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“a deep reflection of the hectic lives we live”

“Very powerful and memorable. I enjoyed the transition from the workout to work clothes, without slowing down the pace. It did leave me with a deep reflection of the hectic lives we live. I would have enjoyed seeing the balance to soften it at the end.”

Audience member at Plasma

“Intense, powerful and disturbing”

“Intense, powerful and disturbing. I felt really exhausted by the end. Throughout the piece I had the constant feeling of information overload, and was unsure where to look. The last section definitely gave the impression that something had gone wrong inside someone. The piece showed how an individual can have many sides or facets to their personality.”

Audience member at Plasma

“I really enjoyed the energy and the pressure build-up”

“I really enjoyed the energy and the pressure build-up that seemed to disrupt the cohesive nature. Would be interesting to see a sense of those individuals who enjoy the run, the work, the pressure and those who do it because they feel the need to or feel coerced.”

Audience member at Plasma

“like office drones pushed towards a burnout”

“To me the best bits were the last few moments of high-energy and synchronised movement. It felt like it represented the rat race, like office drones pushed towards a burnout.”

Audience member at Plasma

Dates

2016

22 January – Pegasus, Oxford (Scratch Night)
26 & 27 February – Pegasus, Oxford (Moving with the Times)
16 July – Old Fire Station Oxford (Women go Live)
1 September – Old Fire Station, Oxford
28 October – The Broadway, Barking
12 November – The Old Museum, Oxford
26 November – St Barts, Reading

2018

September – Twin City Festival, Perm, Russia

2019

October – Evolution Event, Old Fire Station, Oxford

 

For Promoters

Would you be interested in working with us to develop this piece into a triptych? We’re looking for artistic and research partners to take the project further.

Get in touch

 

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“engaged deeply with the subject matter”

“It was wonderful to watch this topic brought into focus through theatre. The team clearly engaged deeply with the subject matter. I watched the performance a few times and got something new from it each time. Fantastic job.”

Natasha Francis (OPHI) of Poverty on the Table

“A careful and well-thought out balance”

“It was engaging, energetic and, in terms of content, direct whilst not over-the-top. Striking a careful and well-thought out balance. I very much enjoyed the performance!”

Audience member at Poverty on the Table

“polished and thought-provoking piece”

“A very polished and thought-provoking piece. It was easy to watch, which is a relief as much of the contemporary dance world is frankly arty twaddle.”

Audience member at Poverty on the Table

Dates

2016

22 January – Pegasus, Oxford (Scratch Night)
26 & 27 February – Pegasus, Oxford (Moving with the Times)
16 July – Old Fire Station Oxford (Women go Live)
1 September – Old Fire Station, Oxford
28 October – The Broadway, Barking
12 November – The Old Museum, Oxford
26 November – St Barts, Reading

2018

September – Twin City Festival, Perm, Russia

2019

October – Evolution Event, Old Fire Station, Oxford

 

Supporters

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“a deep reflection of the hectic lives we live”

“Very powerful and memorable. I enjoyed the transition from the workout to work clothes, without slowing down the pace. It did leave me with a deep reflection of the hectic lives we live. I would have enjoyed seeing the balance to soften it at the end.”

Audience member at Plasma

“Intense, powerful and disturbing”

“Intense, powerful and disturbing. I felt really exhausted by the end. Throughout the piece I had the constant feeling of information overload, and was unsure where to look. The last section definitely gave the impression that something had gone wrong inside someone. The piece showed how an individual can have many sides or facets to their personality.”

Audience member at Plasma

“I really enjoyed the energy and the pressure build-up”

“I really enjoyed the energy and the pressure build-up that seemed to disrupt the cohesive nature. Would be interesting to see a sense of those individuals who enjoy the run, the work, the pressure and those who do it because they feel the need to or feel coerced.”

Audience member at Plasma

“like office drones pushed towards a burnout”

“To me the best bits were the last few moments of high-energy and synchronised movement. It felt like it represented the rat race, like office drones pushed towards a burnout.”

Audience member at Plasma

Dates

13 June 2016 – International Migration Institute (Greenhouse performance)

17 June 2016 – OMSS, Pitt Rivers Museum (excerpts)

25 June 2016 – Oxfordshire Science Festival (Decision & Journey, Debate)

7 August 2016 – Wilderness Festival (Pecking Order)

16-18 September 2016 – The Story Museum (Creative Lab)

1 October 2016 – European Quarter, Brussels (Nuit Blanche)

8 December 2016 – Transmic Event, Oxford (all parts)

11-12 February 2017 – The Story Museum (Pecking Order)

9 June 2017 – Lawyers Against Poverty, Oxford (Pecking Order)

Partners

Supporters

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“a deep reflection of the hectic lives we live”

“Very powerful and memorable. I enjoyed the transition from the workout to work clothes, without slowing down the pace. It did leave me with a deep reflection of the hectic lives we live. I would have enjoyed seeing the balance to soften it at the end.”

Audience member at Plasma

“Intense, powerful and disturbing”

“Intense, powerful and disturbing. I felt really exhausted by the end. Throughout the piece I had the constant feeling of information overload, and was unsure where to look. The last section definitely gave the impression that something had gone wrong inside someone. The piece showed how an individual can have many sides or facets to their personality.”

Audience member at Plasma

“I really enjoyed the energy and the pressure build-up”

“I really enjoyed the energy and the pressure build-up that seemed to disrupt the cohesive nature. Would be interesting to see a sense of those individuals who enjoy the run, the work, the pressure and those who do it because they feel the need to or feel coerced.”

Audience member at Plasma

“like office drones pushed towards a burnout”

“To me the best bits were the last few moments of high-energy and synchronised movement. It felt like it represented the rat race, like office drones pushed towards a burnout.”

Audience member at Plasma

Dates

2016

22 January – Pegasus, Oxford (Scratch Night)
26 & 27 February – Pegasus, Oxford (Moving with the Times)
16 July – Old Fire Station Oxford (Women go Live)
1 September – Old Fire Station, Oxford
28 October – The Broadway, Barking
12 November – The Old Museum, Oxford
26 November – St Barts, Reading

2018

September – Twin City Festival, Perm, Russia

2019

October – Evolution Event, Old Fire Station, Oxford

 

Supporters

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“a deep reflection of the hectic lives we live”

“Very powerful and memorable. I enjoyed the transition from the workout to work clothes, without slowing down the pace. It did leave me with a deep reflection of the hectic lives we live. I would have enjoyed seeing the balance to soften it at the end.”

Audience member at Plasma

“Intense, powerful and disturbing”

“Intense, powerful and disturbing. I felt really exhausted by the end. Throughout the piece I had the constant feeling of information overload, and was unsure where to look. The last section definitely gave the impression that something had gone wrong inside someone. The piece showed how an individual can have many sides or facets to their personality.”

Audience member at Plasma

“I really enjoyed the energy and the pressure build-up”

“I really enjoyed the energy and the pressure build-up that seemed to disrupt the cohesive nature. Would be interesting to see a sense of those individuals who enjoy the run, the work, the pressure and those who do it because they feel the need to or feel coerced.”

Audience member at Plasma

“like office drones pushed towards a burnout”

“To me the best bits were the last few moments of high-energy and synchronised movement. It felt like it represented the rat race, like office drones pushed towards a burnout.”

Audience member at Plasma

Video Diaries

Dates

2016

22 January – Pegasus, Oxford (Scratch Night)
26 & 27 February – Pegasus, Oxford (Moving with the Times)
16 July – Old Fire Station Oxford (Women go Live)
1 September – Old Fire Station, Oxford
28 October – The Broadway, Barking
12 November – The Old Museum, Oxford
26 November – St Barts, Reading

2018

September – Twin City Festival, Perm, Russia

2019

October – Evolution Event, Old Fire Station, Oxford

 

Supporters

How do we live with stress? Plasma investigates how our individuality is constrained and shaped by society and how it can be liberated in a frantic modern world.
Using abstract movement and interaction between dancers Plasma explores how one can express individuality positively, without destroying important social structures. Plasma shows how people are often alienated from their true values, because of the pressure exerted on them to conform to social norms.

We focus on researching and interpreting the external pressures that drive individual and social actions and the means that are used to enhance performance, for example, in sports, business, and healthcare. Through dance and multimedia, we look at what positive and negative effects pressure can have in an ever changing and increasingly demanding society.

“encapsulates the atmosphere of stressful, work driven society” Oxford Dance Writers

Moving Together 2021

We made a second edition of the project at RAF Benson, Oxfordshire. Using the same methodology, we talked with staff, officers, family members and reservists from a wide range of ages and ranks at the base. Their experiences of loneliness and belonging are very different and inspired new ‘video gifts’ for those taking part. These are shared here and on our social channels.

Dancers (original)
Monica Mate Arnall
Caroline Shephard
Anja Meinhardt
Roosa Leimu-Brown
Lisa Pocock
Irini Hatzimichali

Dancers (in further performances)
Hara Kyriazo
Amabel Luers
Bronwyn Tarr
Gemma Peramiquel

 

Choreographers
Anja Meinhardt & Roosa Leimu-Brown

Music (6′ piece)
Kimmo Pohjonen & Kronos Quartet

Composer & Sound Designer (25′ piece)
Jon Ouin

Lighting Designer
Ophelie Lebrasseur

Photographer
Stu Allsopp

“a deep reflection of the hectic lives we live”

“Very powerful and memorable. I enjoyed the transition from the workout to work clothes, without slowing down the pace. It did leave me with a deep reflection of the hectic lives we live. I would have enjoyed seeing the balance to soften it at the end.”

Audience member at Plasma

“Intense, powerful and disturbing”

“Intense, powerful and disturbing. I felt really exhausted by the end. Throughout the piece I had the constant feeling of information overload, and was unsure where to look. The last section definitely gave the impression that something had gone wrong inside someone. The piece showed how an individual can have many sides or facets to their personality.”

Audience member at Plasma

“I really enjoyed the energy and the pressure build-up”

“I really enjoyed the energy and the pressure build-up that seemed to disrupt the cohesive nature. Would be interesting to see a sense of those individuals who enjoy the run, the work, the pressure and those who do it because they feel the need to or feel coerced.”

Audience member at Plasma

“like office drones pushed towards a burnout”

“To me the best bits were the last few moments of high-energy and synchronised movement. It felt like it represented the rat race, like office drones pushed towards a burnout.”

Audience member at Plasma

Dates

2016

22 January – Pegasus, Oxford (Scratch Night)
26 & 27 February – Pegasus, Oxford (Moving with the Times)
16 July – Old Fire Station Oxford (Women go Live)
1 September – Old Fire Station, Oxford
28 October – The Broadway, Barking
12 November – The Old Museum, Oxford
26 November – St Barts, Reading

2018

September – Twin City Festival, Perm, Russia

2019

October – Evolution Event, Old Fire Station, Oxford

 

Helplines

If you are struggling with loneliness and social isolation, or know someone who might be, reach out to others and seek help. You are not alone.

**UK-based helplines if you need a listening ear**
Samaritans (available: 24 hours Daily), call: 116 123
The Silver Line (available: 24 hours Daily), call: 0800 470 8090
Shout (available 24 hours Daily), Text SHOUT to 85258
Age UK (available: 8am–7pm Daily), call: 0800 6781602
Age Scotland (available: 9am-5pm Mon- Fri), call: 0800 12 44 222
Chest Heart & Stroke Scotland (available: 9.30am-4pm Mon-Fri), call: 0808 801 0899
Alone Ireland (available: 8am–8pm Daily), call: 0818 222 024
Breathing Space (available: 6pm–2am Mon-Thurs & 6pm Fri–6am Mon), call: 0800 83 85 87

**Ask for support through a befriending network near you**
Befriending Network (UK)

**Join the Archway foundation**
The Archway Foundation (UK)

**Join a Connection Coalition Facebook group**
To discuss ideas, inspirations and challenges around connection at this time: https://www.facebook.com/groups/connectioncoalition

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